Show Me The Body
Tickets: 16+
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About
Alone Together is an album about praxis. Putting belief into action. The opening line, “radical love compels me to fight”, reflects lived experience, the act of standing up for one another and for what you believe in, regardless of the outcome. Working alongside producers Klas Åhlund and Kenneth Blume III, Show Me The Body has recontextualized their core language into something with more focus, urgency, and clarity than ever before. Alone Together is not about atmosphere but about direct communication, a call to galvanise ourselves and the people around us.
Stand with us baby.
Thank you for being here.
Even if you feel alone
Don’t trip on it
Cause we can stand alone together.
Bones of Show Me The Body's fourth full-length album formed first in their Corpus studio, in the basement of the building that also serves as the New York City collective's headquarters and the home in which frontman Julian Cashwan Pratt lives with his young family. Writing the album in the wake of the birth of his daughter, who arrived just two years before the release of the hardcore trailblazers'most harrowing and most joyous output to date. Alone Together brings the band's ethos of resilience in the darkest moments into startling focus. Alone Together is about praxis.
Pratt and the band’s cofounder, Harlan Steed, brought in composer Gio Escobar and his cohort of musicians from Standing on the Corner. "We would send Gio certain riffs from the record," Pratt explained, "and he would recontextualise those riffs in the language of lonely New York
City jazz, in the vernacular that Standing on the Corner has, that we love and appreciate."
That's the first thing you hear on Alone Together's opening track, "Alone Interlude": one of
Pratt's crushing riffs transmuted into horn section bombast, with Pratt chanting "welcome, welcome, welcome.”
On a track like "No God," the union of Åhlund, Blume and Show Me The Body render those signature sounds with purity: Pratt's overdriven banjo for a verse, before the arrival of buckshot snares, and the sheer overwhelm of Harlan Steed on bass. By the climax, Pratt's ragged half-rap of "I will wait for no god to make it real" has conflagrated, coming into a full-body shriek: "I need to make it real!" That clarity reignites when the band take confident steps forward into new territory, like the bright punk of "Good Time," which still feels fundamentally comprised of Show Me The Body DNA.
In the title track, which closes the album, you will hear the origins of the Just Blaze-ish horns from "Alone Interlude" The blood-boiling riff, and the call to action that is Alone Together's essence: "Blessed are those who stand alone." Alone Together is one part rollicking punk dirge, and one part riotous celebration - a work wrapped in the dichotomous themes of huge love and huge loss. You'll hear that come together as "Alone Interlude" transitions into track 2, "Eat for Peace": overwhelming drums storm in, churning bass, a sneering banjo, and the hoarse chant of that opening line, the mantra which underpins the record, "radical love compels me to fight". That's life, and that's Show Me The Body. Time to wake up. "Remain in love with those around you, and with yourself, when it seems like the most ridiculous option."
On previous releases, the band wrote about and against the city of New York, but on Alone Together, the city hovers in the background, “more like a ghost,” Pratt says. Replacing much of that cantankerous energy are dispatches from pits of despair, like the near-whisper over warped and warbled riffs on the existential "Do What's Right": "sometimes I wanna hurt myself / I think it would make me happy." Those depths are then punctuated with bursts of bewildering joy, brought to being by new life and old friends.
In the wake of making Alone Together, Pratt lost a close friend.
Stand with us baby.
Thank you for being here.
Even if you feel alone
Don’t trip on it
Cause we can stand alone together.
Bones of Show Me The Body's fourth full-length album formed first in their Corpus studio, in the basement of the building that also serves as the New York City collective's headquarters and the home in which frontman Julian Cashwan Pratt lives with his young family. Writing the album in the wake of the birth of his daughter, who arrived just two years before the release of the hardcore trailblazers'most harrowing and most joyous output to date. Alone Together brings the band's ethos of resilience in the darkest moments into startling focus. Alone Together is about praxis.
Pratt and the band’s cofounder, Harlan Steed, brought in composer Gio Escobar and his cohort of musicians from Standing on the Corner. "We would send Gio certain riffs from the record," Pratt explained, "and he would recontextualise those riffs in the language of lonely New York
City jazz, in the vernacular that Standing on the Corner has, that we love and appreciate."
That's the first thing you hear on Alone Together's opening track, "Alone Interlude": one of
Pratt's crushing riffs transmuted into horn section bombast, with Pratt chanting "welcome, welcome, welcome.”
On a track like "No God," the union of Åhlund, Blume and Show Me The Body render those signature sounds with purity: Pratt's overdriven banjo for a verse, before the arrival of buckshot snares, and the sheer overwhelm of Harlan Steed on bass. By the climax, Pratt's ragged half-rap of "I will wait for no god to make it real" has conflagrated, coming into a full-body shriek: "I need to make it real!" That clarity reignites when the band take confident steps forward into new territory, like the bright punk of "Good Time," which still feels fundamentally comprised of Show Me The Body DNA.
In the title track, which closes the album, you will hear the origins of the Just Blaze-ish horns from "Alone Interlude" The blood-boiling riff, and the call to action that is Alone Together's essence: "Blessed are those who stand alone." Alone Together is one part rollicking punk dirge, and one part riotous celebration - a work wrapped in the dichotomous themes of huge love and huge loss. You'll hear that come together as "Alone Interlude" transitions into track 2, "Eat for Peace": overwhelming drums storm in, churning bass, a sneering banjo, and the hoarse chant of that opening line, the mantra which underpins the record, "radical love compels me to fight". That's life, and that's Show Me The Body. Time to wake up. "Remain in love with those around you, and with yourself, when it seems like the most ridiculous option."
On previous releases, the band wrote about and against the city of New York, but on Alone Together, the city hovers in the background, “more like a ghost,” Pratt says. Replacing much of that cantankerous energy are dispatches from pits of despair, like the near-whisper over warped and warbled riffs on the existential "Do What's Right": "sometimes I wanna hurt myself / I think it would make me happy." Those depths are then punctuated with bursts of bewildering joy, brought to being by new life and old friends.
In the wake of making Alone Together, Pratt lost a close friend.
Lineup
